6th Sep 2025 - 12th Oct 2025 11:00 am - 4:00 pm
Ilkley Manor House, in collaboration with Ilkley Arts, is delighted to host the second Open exhibition from 6 September to 12 October on the theme of Connections.
Building on the success of the 2023 Open, this exhibition brings a wealth of contemporary art from around the world to the House this autumn.
Ilkley Art Open 2025 showcases an extraordinary variety of mediums, reflecting the many ways artists have interpreted and expressed connections.
Visitors can admire oils painted onto board, canvas, and even cotton; works in acrylic, graphite, pastel, and charcoal; watercolours and inks.
Mixed media pieces incorporate collage, vintage paper, and even natural materials like dirt and grass!
For textile enthusiasts, there is plenty to enjoy – hand embroidery on vintage linen, upcycled wool blankets, and stitched photographic prints.
Sculptural works bring dimensionality and physical presence to the upstairs galleries, with pieces in bronze, slate, ceramic, reclaimed wood, and steel wire.
And for anyone who enjoyed our printing workshops and Ilkley’s first photography festival, there is much to delight: etchings, screen prints, archival pigment prints, cyanotypes, and photographs presented in unique formats.
The exhibition will feature both emerging and established artists from across UK and even abroad, whose work encapsulates the human experience: our relationships to place, memory, and each other.
Full artist details and additional information will be announced soon here and our social media channels.
Explore connection, appreciate thought-provoking art, and discover new perspectives.
Slider image credits: Anna Archinger, Florian Nkuriza, Fiona Arnold, and JD Lewis.
The Artists
Watercolour
Nicholas Wright | Sunflower (world) | 2024 | Watercolour and bulletproof brown ink
Oil
David AP Thomas | A Group of Unrelated Objects Brought Together and Only Making Sense Within the Context of a Painting | 2024/5 | Oil paint on canvas laid on panel
Florian Nkuriza | A View from a Window VIII | 2024 | Oil on board
J D Lewis | Boys’ Garden City | 2024 | Oil
Michelle Galloway | This could be Rotterdam or anywhere, Liverpool or Rome … | 2020 | Oil on canvas
Mark Evans | Disappearing right in front of you | 2019 | Oil pastel and masking tape
Rebecca O’Hooley | Threshold | 2025 | Oil on cotton
Carol Burns | When Skies Sang And Dreams Replied | 2025 | Mixed media on wooden panel – acrylic paint, ink, graphite, oil pastel, coloured pencil and collage (both vintage paper and paper made by the artist)
Michelle Galloway | This could be Rotterdam or anywhere, Liverpool or Rome
Carol Burns | When Skies Sang and Dreams Replied
Textiles
Amanda Lavery | Spiderwebs of intricate relationships seeking a form | 2025 | Embroidery – French vintage linen with silk threads
Catherine Hill | Lancashire Rich Jam Cake | 2025 | Hand embroidered textile art
Jessica Jenyns | Tansy | 2025 | Upcycled wool blanket, upcycled duvet cover, vintage embroidery thread, felting wool
Jordan Cunliffe | Tipping Point | 2024 | Hand embroidery
Claire Cooper-Walsh | Mycelium and the Woodland Network | 2024 | Textiles
Judith Reece | Yorkshire Coast | 2024 | Textiles
Lynne Chapman | Tales of the Unexpected | 2024 | Textiles
Saira Baig | Manipulation 12 | 2023 | Recycled textiles with linocut, hand stitching and machine stitching
Zoe Boswell | 311 | | 2022 | Hand embroidery on vintage photograph
Claire Cooper-Walsh | Mycelium and the Woodland Network
Photography
Anna Archinger | Touching Lines | | 2024 | Inkjet print on photo paper
Bianca Wallis-Salmon | Mycelium Sings To Me | 2024 | Photography
Dominic Greyer | Contact | 2009 | Giclee photographic print using archival pigment ink
Stuart Royse | Switchgear | 2022 | Archival photographic print
Willie Robb | European Ferries | 2016-18 | Photograph mounted to dibond with split baton wall fixtures
Metal
Pamela Storey | All that lies between us | 2020 | Steel wires
Victoria Chichinadze | The Soul of the Garden “Sunrise” | 2021 | Bronze, hot patina
Carole Griffiths | Mother Fork | 2024 | Bronze sculpture
Janie Stevens, The Greenthwaite Sculptor | Rhythm of Life | 2025 | Steel
Sculpture
Aleksandar Bursac | No Wrong Answers I | 2025 | Sculpture, tiles
Sean Dowker | Duality of us | 2025 | Sculpture, slate
Laura Timmis | I Was Here | 2024 | Ceramic sculpture
Penelope Pendle Hayes | Conversation | 2024 | Ceramic stoneware
Maria Muruaga | Resilience petals | 2025 | Clay sculpture
Yixue Yang | Porous Presences | 2025 | Ceramics and glass
Susan J Hart | Of Awe and Aura | 2025 | Air-hardening clay, wire netting and acrylic paint on oak dowel and oak plinth
Acrylic
Zully Mejía | Cau Cau | 2024 | Acrylic on linen
Bridget March | Crossings | 2024 | Acrylic on canvas
Caroline Smith | The Race | 2025 | Acrylic on board
Cherryl Brunel | A quiet cloak (No.3) | 2024 | Acrylic inks and woodblock print on paper
Dom Chastney | Couple on their phones | 2025 | Acrylic on plywood
Janet Mayled | Making tea with dinosaurs | 2023 | Acrylic on hot-pressed watercolour paper
John Taylor | DUO | 2025 | Acrylic-painted card collage on board
Lucy Rogers-Smith | Celestial | 2024 | Acrylic and graphite on canvas, UV satin varnished, framed in a solid oak wooden tray frame
Nicola Rawnsley | Habitat | 2025 | Acrylic on oak veneer
Rachel Anzalone | 2nd Rinse | 2018 | Acrylic, graphite, thread, dirt, grass on bedsheet
Simon Baker | King Christopher and Queen Sarah-Jane | 2025 | Acrylic on cardboard
Wood
Fay Kinsella | Loom Marsden | 2018 | Laser-etched plywood, inlaid and stitched Perspex and wood
Fiona Arnold | Farmer’s Wife’s Basket | 2025 | Willow
Louise Garland | Broken Circuit | 2024 | Reclaimed wood, vintage electrical fittings, mixed media
Simon Raines | Sketch For The Vertical No 44 (The Temple Steps) | 2024 | Recycled plywood and black wax pigment
Alexandra Sivov | Free Chat | 2025 | Silkscreen on papier mâché structure
Bridget Tempest | Old Trees | 2025 | Etching
Flora Lu | Audience in the Exhibition | 2025 | Etching
Jim Fox | Woman With Dove | 2024 | Screen print
Joanne O’Connor | Connection Points | 2025 | Mixed media, print, paper and stitch on board
Kathryn Fox | Permutations Nos 1 to 5 | 2020-25 | Screen prints on Snowdon cartridge paper
Maja Spasova | HANDS | 2021 | Cyanotype
Max PhV | A Thousand Hands | 2024 | Print on canvas
Paul Tranter | What remains | 2025 | Hand-pulled screen print on Ordnance Survey map and World Atlas
Sally Castle | Menwith | 2024 | Relief print
Paper
Claire Anscomb | Prompt: A Victorian Stereograph of Ancient Egypt | 2023 | Graphite on paper
Daniel Hester | The Eternal Familiarity of Maternal Bonding | 2025 | Pencil on Bristol Paper
Delia Zorzoliu | Antique Blouse Pin | 2025 | Ink on pastel paper
Ian Hodgson | Pulse | 2025 | Pastel on paper
Maria Motowylczyk | Neolithic: 1 | 2025 | Charcoal on paper
Accessibility Information
This exhibition runs on weekends from 6 September to 12 October. Ilkley Manor House is open on weekends from 11am to 4pm. Entry is free unless stated otherwise; no booking is required. Please check the website and our social media for the latest updates before visiting.
Please note this exhibition takes place upstairs in the Western and Solar Galleries, accessible via a staircase of 18 steps.
Follow us on Facebookwant to be first to hear our latest news & events? Sign-up to our monthly newsletter to read our latest news and find out what’s on...